Cervidae Deer
Spotted deer stag (Axis axis), drinking from a waterhole in Sariska National Park, Rajasthan, India. A rufous treepie (Dendrocitta vagabunda) is sitting on its back. To the left a peacock (Pavo cristatus). (Photo copyright © by Kaj Halberg)
White-tailed deer hind (Odocoileus virginianus), jumping over a fence, Cades Cove, Great Smoky Mountains National Park, Tennessee, United States. (Photo copyright © by Kaj Halberg)
This roe buck (Capreolus capreolus), in its reddish summer coat, is crossing a pond, Nature Reserve Vorsø, Horsens Fjord, Denmark. (Photo copyright © by Kaj Halberg)
Sambar deer (Cervus unicolor) in morning light, Sariska National Park, Rajasthan, India. (Photo copyright © by Kaj Halberg)
Resting wapiti stag (Cervus canadensis), Fort Niobrara Wildlife Refuge, Nebraska, United States. (Photo copyright © by Kaj Halberg)
Their antlers interlocked in battle, these two bull moose (Alces alces) were found near New Sweden, Maine, United States, in 2005. Presumably, they died of exhaustion or starvation. Today, they are on display in L.L. Bean Shopping Centre, Portland, Maine. (Photo copyright © by Kaj Halberg)
The family Cervidae are a group of ruminants, comprising 20 genera with about 90 species. They live in almost all types of habitats, ranging from tundra to tropical rainforest.
Native species are present in all continents, except Antarctica and Australia, with the largest concentration of species in Asia. In Africa, antelope have replaced deer in almost the entire continent, with the exception of the Atlas Mountains in the north-western corner, where the native Barbary stag, a subspecies of red deer (Cervus elaphus), is found. Fallow deer (Dama dama) have been introduced to South Africa.
Several deer species have been introduced to New Zealand, where many of them have escaped and formed feral populations. The most common species is red deer, and there are also many fallow deer and sika deer (Cervus nippon). Wapiti (C. canadensis), sambar deer (C. unicolor), and rusa or timor deer (C. timorensis) appear in smaller numbers. As the feral deer do not have natural enemies in New Zealand, they quickly form large populations, which are regarded as a threat to the indigenous flora and fauna. For this reason, a large-scale regulation of the deer takes place year-round to keep the populations as low as possible.
Deer appear in mythologies of numerous cultures, and artwork, depicting deer, is present throughout their distribution area.
A large number of deer species, including all mentioned below, are described in depth, with numerous photos, on the page Animals – Mammals: Deer.
Deer as food and medicine
Deer have been a source of food for humans from Palaeolitic times. Remains of bones from meals, dating from the Early Stone Age, have been found. Today, deer hunting is a very popular sport in many countries.
Deer are often kept in parks due to their beauty and grace, in other places for meat production.
For thousands of years, deer antlers in velvet have been an important ingredient in traditional Chinese medicine, utilized for various ailments, including joint and bone problems, and calcium deficiency, and also as a growth tonic for children, as a remedy against old age, and as an aphrodisiac.
Deer penis is reported to have important therapeutic properties. It is sliced into small pieces, roasted, and dried in the sun. In former days, in Taiwan, women were reported to consume deer penis during pregnancy, as it was believed that it would make the mother and child stronger. The Ancient Mayans were also known to roast deer penis, and Greek physician Hippocrates of Kos (c. 460-370 B.C.) recommended it as an aphrodisiac.
These rock carvings at Tømmerneset, northern Norway, depicting reindeer (Rangifer tarandus), were produced during the Stone Age, 6.000-8.000 years ago. (Photo copyright © by Kaj Halberg)
Another rock carving, depicting a reindeer, made during the Bronze Age, Aspeberget, Bohuslän, Sweden. (Photo copyright © by Kaj Halberg)
These antlers of moose (Alces alces) from the Stone Age were excavated on the island of Bornholm, Denmark, and are now displayed at the Museum of Bornholm. In Denmark, the moose was eradicated by hunters, probably during the Bronze Age, but several were reintroduced to Jutland in 2015-17. (Photo copyright © by Kaj Halberg)
Shooting tower, a so-called hochstand, in Store Hjøllund Plantation, Jutland, Denmark. Red deer (Cervus elaphus) are seen in the background. This species is very common in coniferous plantations in Jutland. (Photo copyright © by Kaj Halberg)
The Hadimba Temple in Manali, Himachal Pradesh, northern India, is adorned with various trophies, including the rare Kashmir stag (Cervus hanglu ssp. hanglu), bharal (Pseudois nayaur) with smooth horns, and Siberian ibex (Capra sibirica) with ringed horns. (Photo copyright © by Kaj Halberg)
These red deer (Cervus elaphus) are bred in captivity for meat production, Jubilee Park, Ohakune, New Zealand. The birds in front of the deer are paradise shelduck (Tadorna variegata), male (dark) and female. (Photo copyright © by Kaj Halberg)
Deer antlers in velvet for sale as traditional Chinese medicine, Kowloon, Hong Kong. (Photo copyright © by Kaj Halberg)
This poster in Lhasa, Tibet, announces sale of deer antlers and gall bladders from bears. (Photo copyright © by Kaj Halberg)
The role of deer in European cultures, mythologies, and folklore
In Greek mythology, Artemis, the goddess of wilderness, wild animals, hunting, childbirth, and virginity, was often very hostile to hunters who trespassed into her domain.
A hunter, Actaeon, was one day out hunting with his dogs in the woods, when he noticed Artemis bathing in a river. Hidden in a stag’s pelt, he sneaked up near her, but she saw him and got so angry that a mortal man had seen her naked, that she changed him into a stag. He tried to escape, but was hunted down and killed by his own dogs.
Artemis also avenged the death of a stag, which was sacred to her. It had been killed by King Agamemnon’s men, and as Artemis was able to control the weather, she let a strong wind blow, which kept Agamemnon’s fleet, bound for Troy, confined to port.
Artemis and Actaeon, Athenian bowl from 5th Century B.C. (Public domain)
The mythologies of the Celts in the British Isles have several stories involving supernatural deer, and spirits or deities who may take the form of deer, for instance the Scottish goddess Flidais, who can shift into a red or white deer. In Ireland, Cailleach Bhéara (‘The Old Woman of Beare’) takes the form of a deer to avoid capture, and herds her deer down by the shore.
In Irish mythology, Sadb was a beautiful young girl, daughter of the king of the Síd tribe of Munster. She gained the attention of a mighty druid, named Fer Doirich, who wanted her as his bride, but she was still a maiden and refused his advances, which enraged him so much that he turned her into a doe, so that she could be hunted down by wolves. The poor girl ran into the forest where she lived for 3 years.
Finn mac Cumhail was the leader of Ireland’s heroic band of warriors, the Fianna. One day he was out hunting with his hounds Bran and Sceolan. He cornered a beautiful hind, but the hounds refused to kill it. He brought her back to his land, where she regained her true form as Sadb. They married, but shortly afterwards Finn had to leave to defend his country. While he was away, the druid Fer Doirich again turned her into a deer. Though the Fianna searched the land far and wide, they were not able to find Sadb.
Some years later, on another hunting trip, Finn mac Cumhail’s party tracked down a fawn, but again his trusty hounds refused to kill the prey. When they took it to their home, it changed into a boy, and Finn realized that this was his son. He named him Oisin, meaning ‘fawn’. Oisin later became a great warrior in the Fianna.
Sadb, illustrated by English artist Arthur Rackham (1867-1939) for the book Irish Fairy Tales (1920).
In Celtic mythology, the stag was a symbol of the god of forests and wild animals, Cernunnos (‘The Horned One’), who had antlers on top of his head.
The Celts believed that a white stag (also called white hart) would appear when one would violate a taboo. In Welsh mythology, Pwyll Pen Annwn, lord of Dyfed, mistakenly enters into the realm of Arawn, ruler of the otherworld Annwn. Here he observes white hounds with red ears, feeding on a white stag. Pwyll chases the hounds off, only to learn that the hounds belong to Arawn. To pay for the misdeed, Arawn requests Pwyll to trade places with him for a year and defeat Hafgan, Arawn’s rival, at the end of this time.
A red deer (Cervus elaphus) is depicted on the famous Gundestrup cauldron, a richly decorated Celtic silver vessel, thought to date from between 200 B.C. and 300 A.D., which was excavated in Himmerland, Denmark. The figure in the centre is possibly Cernunnos. Other figures depicted illustrate an aurochs (Bos taurus ssp. primigenius), a lion (Panthera leo), a snake, and possibly a wolf (Canis lupus). (Public domain)
In Danish folklore, the roe deer (Capreolus capreolus) is most often a symbol of beauty and grace, but also of constant vigilance and shyness. If a doe has lost her fawn, it often calls heartbreaking, which in folklore was seen as an omen of distress or something scary. Fawns, with their spotted coat, were often connected with supernatural creatures like fairies or nisser (a type of benevolent gnome), who were guardians of the forest. Fawns suddenly disappearing into dense cover may have contributed to the mysticism.
In German folklore, the roe deer can be part of mythical creatures. The Rasselbock (‘Rattle Deer’ in German) has the head and body of a rabbit, but with antlers like a roe deer. It is said to be a shy, nocturnal animal, though it can be dangerous when cornered. The American Jackalope is a similar mythological figure.
The Wolpertinger is a similar creature in the Bavarian folklore, typically with the body of a rabbit or squirrel, roe deer antlers, pheasant wings, and duck feet. Creations of this ‘animal’ are sold as souvenirs in Bavaria, and the Deutsches Jagd- und Fischereimuseum in Munich has a permanent exhibit on the creature.
Rasselbock. (Public domain)
A depiction of the Wolpertinger, however without duck feet, with large canines, and with red deer antlers, not those of roe deer. (Public domain)
A European fairy tale: The Golden Stag
This Romanian fairy tale, in Romanian Cerbul de aur, was told by Costache Georgescu from Telega:
A woman tells her husband that his two small children by his first marriage, a son and a daughter, will be lost in the woods. When it eventually happens, the children cannot find water anywhere, until they follow the tracks of a fox to where water is welling. However, the sister warns her brother that drinking it will turn him into a fox. They now follow the tracks of a bear to water, but she again warns him not to drink, as the water will turn him into a bear. Following the tracks of a stag to water, she again warns him not to drink, but he is too thirsty and quenches his thirst, which turns him into a golden stag. He carries off his sister in a cradle in his antlers, and makes a nest for her up in a tree, where she grows up.
One day, a prince out riding sees her and falls in love with her. He promises a fortune to whoever will woo that girl for him. An old woman sees the golden stag, but doesn’t know how to address it, so she lures the girl down from the tree by pretending to be foolish with her cook fire, and then carries her off to the prince.
The stag follows them to the prince’s castle, where his sister informs the prince that the stag is her brother, and the prince gives him a fine stable with plenty to eat. The girl marries the prince, and they all live happily, except a gypsy girl who had been the prince’s favourite. She lures the girl into the forest where she falls asleep, exhausted. The gypsy ties her and dresses herself in her clothes and disguises her face before returning to the castle. However, the stag at once knows that she is fake. The prince and his men follows the stag and retrieves the girl. But to pay for her crime, the gypsy girl is stoned to death.
The moose bull Skutt and the little princess Tuvstarr
This Swedish fairytale was written around 1913 by art historian and author Tor Helge Kjellin (1885-1984).
Princess Tuvstarr is tired of the restrictions in her father’s castle and asks the moose bull Skutt to carry her into the forest to explore the world. Skutt warns her that there are dangerous forces in the forest, but she ignores it.
Out in the forest she leaves Skutt and roams about. First she meets elven folks, who take her golden crown. Next she meets a hulder, a dangerous female creature, who lead people to ruin. She steals Tuvstarr’s nice white clothes. Finally, she comes to a forest pond, where she loses her golden necklace in the water. Not knowing what to do, she sits down on the shore of the pond, looking into the dark water – a sad wilderness, which symbolizes her lost innocence and home.
When Skutt returns to bring her home, she is nowhere to be found, but on the shore, where she had been sitting, grows a plant with white flowers, tuvstarr.*
*In English tufted sedge (Carex cespitosa).
Ännu sitter Tuvstarr kvar och ser ner i vattnet (‘Tuvstarr is still sitting at the pond, staring into the water’). Painting by Swedish artist John Albert Bauer (1882-1918), published in the book Bland tomtar och troll (‘Among gnomes and ogres’) (1913). (Public domain)
The role of deer in Christianity
In Christian mythology (Catholicism and Eastern Orthodox) it is told that Saint Eustace had a vision, in which he saw the crucified Christ between the antlers of a white hart. He was told that he would suffer for Christ and become a martyr. When he and his family refused to make offerings to pagan images, they were cast into a glowing hot, hollow bronze bull, where they prayed until they died.
Saint Eustace and the white hart. Illustration in a 13th-Century English manuscript. (Public domain)
A recumbent white hart was the badge of King Richard II of England (1367-1400), wearing a gold crown as a collar, attached to a long gold chain, symbolizing the suffering of Christ, as well as Richard’s burden of kingship.
The white hart, detail of the Wilton Diptych, a panel made for King Richard II, c. 1395. (Public domain)
You know Dasher and Dancer and Prancer and Vixen,
Comet and Cupid and Donner and Blitzen,
But do you recall
The most famous reindeer of all?
Rudolph, the red-nosed reindeer,
Had a very shiny nose,
And if you ever saw it,
You would even say it glows.
All of the other reindeer
Used to laugh and call him names,
They never let poor Rudolph
Join in any reindeer games.
Then one foggy Christmas Eve
Santa came to say:
“Rudolph, with your nose so bright,
Won’t you guide my sleigh tonight?”
Then how the reindeer loved him,
As they shouted out with glee:
“Rudolph, the red-nosed reindeer,
You’ll go down in history!”
Rudolph, the Red-Nosed Reindeer is a hugely popular Christmas song, written by American songwriter Johnny Marks (1909-1985), based on a story from 1939 with the same title, written by Robert L. May (1905-1976).
The belief among small children that Santa Claus’s sleigh is pulled by eight reindeer (Rangifer tarandus), when he brings gifts to them on Christmas Eve, actually has its root in the mythology of semi-nomadic Siberian reindeer herders.
As American author and ethnologist Robert Gordon Wasson (1898-1986) amply demonstrates in the classic Flesh of the Gods, one sacred ritual of ancient, pre-Christian Europe centered around a red mushroom, the fly agaric (Amanita muscaria). The powerful, mind-altering properties of this mushroom were so prized by shamans that it was hunted to extinction on the Indian subcontinent. It is hard to exaggerate the importance of this fungus to Western consciousness.
One group of Amanita users who, until the early 1900s, still practiced a late Ice Age lifestyle, were semi-nomadic reindeer herders of far northern Scandinavia and Russia, living in yurts and moving about in reindeer-drawn sleighs. Their shamans wore pointed red hats, symbolizing the mushroom that was their sacrament. The shamans also wore red capes, symbolizing their flight through the air, when they consumed the mushroom on their most sacred night of the year – the Winter Solstice (then December 25). Do you recognize the dress of Santa Claus?
The modern character of Santa was based on traditions surrounding Saint Nikolaos (c. 270-343), in English Nicholas, an early Christian bishop of Greek descent from the city of Myra, today called Demre, in the present-day Antalya Province of southern Turkey. Hence the name Santa Claus, a corruption of Nikolaos.
Santa Claus on his way to hand out Christmas gifts. (Illustration borrowed from englishenglish.biz)
A large number of Vietnamese are Christians. On the occasion of the approaching Christmas, these bushes in a park in Hanoi, Vietnam, have been shaped to form reindeer. (Photo copyright © by Kaj Halberg)
Christmas decorations in Taichung, Taiwan, depicting a reindeer and a snowman. (Photo copyright © by Kaj Halberg)
These kitschy Christmas decorations, displayed in a canal in Taichung, also depict reindeer. (Photos copyright © by Kaj Halberg)
The red deer (Cervus elaphus) is often depicted in Danish artwork.
This Middle Age mural in Holtug Church, Zealand, depicts red deer, a goat, and a gigantic rat. (Photo copyright © by Kaj Halberg)
Elmelunde Church, on the island of Møn, is adorned with countless murals, painted around 1480 by an unknown artist, who has been labelled ‘The Elmelunde Master’. This painting depicts a red deer. (Photo copyright © by Kaj Halberg)
This wall painting, exhibited in the Kalø Hunting Cottage, Rønde, eastern Jutland, depicts a red deer, eating foliage of Yggdrasil, the giant tree in Nordic mythology, which embraces the entire world. This tree is described in depth on the page Religion: Animism. Other pictures from this building are shown on the pages Culture: Wall and rock art, and Animals – Mammals: Squirrels. (Photo copyright © by Kaj Halberg)
These ‘red deer’ in Tved Plantation, Thy, have been made from pieces of wood. (Photo copyright © by Kaj Halberg)
The role of deer in Asian cultures, mythologies, and folklore
The Pazyryk burials in Siberia
These Iron Age tombs, dating back to the 4th or 3rd Centuries B.C., situated in the Pazyryk Valley and on the Ukok Plateau in the Altai Mountains, southern Siberia. The tombs are Scythian-type kurgans, barrow-like tomb mounds that contain wooden chambers, covered by large cairns of boulders and stones. Members of the Pazyryk Culture were horse-riding, pastoral steppe nomads.
This stunning, gold-covered wooden figure, depicting a Golden Deer, was found in one of the Pazyryk burial mounds. (Public domain)
The role of deer in Hinduism
Hinduism is described in depth on the page Religion: Hinduism.
In Hindu mythology, the mount (vahana) of the wind god Vayu is a deer, chosen because of its agility, swiftness, and speed.
In this picture, the mount of Vayu is a deer, which, however, has been equipped with the horns of a blackbuck (Antilope cervicapra). This was often the case in older depictions of this deity. (Public domain)
Saraswati, the Hindu goddess of learning, often takes the form of a red deer, called Rohit. For this reason, deer skin, especially from the spotted deer, was formerly much utilized as clothing and meditation mats (asana) by ascetics and yogis. In the Bhagavad Gita, it is said that a seat, covered in deer skin, is ideal for meditation.
Saraswati, playing on her veena, a stringed instrument, surrounded by various beings, including the elephant-headed god Ganesh. – Sculpture from Odisha (Orissa). (Public domain)
A golden deer plays an important role in the great Hindu epic Ramayana. While in exile in the forest, Rama’s fiancée Sita sees a golden deer and demands Rama and his brother Lakshmana to get it for her. The deer is actually a demon named Maricha, who has taken this form to lure Rama and Lakshmana away from Sita in order for his nephew Ravana to kidnap her. (This issue is described in depth on the page Animals – Animals in culture and religion – Mammals: Cercopithecidae.)
Indian illustration, showing Rama aiming at the golden deer. (Public domain)
The beautiful spotted deer (Axis axis), in Hindi called chital (‘the spotted one’), is endemic to the Indian Subcontinent. In Hindu mythology, it symbolizes purity, grace, wisdom, and harmony of the forest.
This wall painting, depicting a spotted deer and an elephant, adorns Janakpur Railway Station, southern Nepal. It is painted in the Nepalese Mithila art style. (Photo copyright © by Kaj Halberg)
Traditionally, hunting sambar deer (Cervus unicolor) was a royal sport in India, and, as related above, deer skins were considered auspicious to sit on while reading sacred texts. They were also used for decoration. However, this led to excessive hunting, and numbers decreased.
The name of this deer is derived from Sanskrit Sambara, a demon slain by the rain god Indra. The connection to the deer is hard to see. In one of his former lives, the great sage Jad Bharat was a sambar deer, which links it to wisdom and reincarnation.
The Angkor area in western Cambodia contains thousands of statues, sculptures, reliefs, and carvings, depicting various items, including a wealth of animals, produced during the reign of the Hindu Khmer Empire, which ruled large parts of Indochina c. 800-1430 A.D.
Other pictures from this amazing area are shown on several pages on this website, including Religion: Hinduism, Animals – Animals in culture and religion – Mammals: Elephantidae, and Plants: Ancient and huge trees.
Khmer reliefs from the Angkor area, depicting deer, Ta Prohm (top), and Bayon, Angkor Thom. (Photos copyright © by Kaj Halberg)
This Khmer relief, likewise at Bayon, depicts two Hindu ascetics with tied-up hair, one embracing a deer fawn. (Photo copyright © by Kaj Halberg)
This Khmer relief, also at Bayon, depicts a fawn, suckling its mother. (Photo copyright © by Kaj Halberg)
The role of deer in Buddhism and Daoism
In Buddhism, the circular shape of the dharma wheel represents the perfection of the dharma, the teachings of the Buddha. The rim represents concentration during meditation, whereas the hub represents moral discipline. At the centre is a Daoist yin-yang symbol, where yin represents the dark, or negative forces, and yang the bright, or positive forces, the two being intertwined, symbolizing that they are interconnected. Two kneeling deer are often depicted beside the dharma wheel.
In Daoism, which is a unique blend of Buddhism and ancient animism, deer are often depicted as sculptures or reliefs.
Buddhism is described in depth on the page Religion: Buddhism, and Daoism on the page Religion: Daoism.
These deer, kneeling beside the dharma wheel, symbolize the deer garden at Sarnath, where the Buddha gave his first teachings. This sculpture is on the roof of the Jokhang Temple in Lhasa, Tibet. (Photo copyright © by Kaj Halberg)
Jataka are a collection of stories, which mainly deal with the previous births of the Gautama Buddha, in both human and animal form. This Jataka terracotta frieze at Anauk Petleik Paya, Bagan, Myanmar, depicts a hunter, aiming at a deer. (Photo copyright © by Kaj Halberg)
Comprising about 13 subspecies, the sika deer (Cervus nippon) is distributed in East Asia, from Ussuriland in south-eastern Siberia southwards through most of China, Korea, Japan, and Taiwan to northern Vietnam.
In Taiwan, it was almost exterminated due to excessive hunting, but has now been re-introduced in several places. Today, it has a prominent role in Taiwanese artwork.
Reliefs, depicting sika deer, in the Daoist Fushing Temple, Xiluo (top), and in the Daoist Song Bo Chin Temple, Ershuei, both in western Taiwan. (Photos copyright © by Kaj Halberg)
This colourful relief in a Daoist temple in the village of Dalinpo, near Kaohshiung, depicts a noble lady with children, one riding on a sika deer. (Photo copyright © by Kaj Halberg)
Until recently, the so-called Boat Burning Festival was celebrated in certain fishing communities in southern Taiwan – a Daoist festival, during which a complete wooden boat was built, only to be burned as an offering to the god of diseases, Wang-yeh, hoping that he would spare the people of the plague and other dreadful diseases.
In former times, the burning boat was pushed out to sea, ceremonially carrying the diseases away, but in later years this practice was abandoned, and the boat was burned on land.
Boat Burning Festival, celebrated in the village of Jiading, near Kaohsiung. The boat is adorned with paintings of saints, riding a tiger, a horse, a deer, and an elephant. (Photo copyright © by Kaj Halberg)
Daoist grave near Chunri, southern Taiwan, adorned with a relief, depicting a sika deer. Many other pictures, depicting Daoist graves, are shown on the page Culture: Graves. (Photo copyright © by Kaj Halberg)
Sculptures, depicting sika deer, in the garden surrounding the Buddhist pagoda Tran Quoc in Hanoi, Vietnam. They symbolize the deer garden in Sarnath, northern India, where the Buddha gave his first lessons. (Photos copyright © by Kaj Halberg)
Metal sculpture, depicting a sika deer, Taichung, Taiwan. (Photo copyright © by Kaj Halberg)
Presumably, these ‘deer’, made from branches, depict sika deer, Taichung, Taiwan. (Photo copyright © by Kaj Halberg)
This kitschy metal sculpture, depicting a sika deer, acts as an eye-catcher for a hotel in Sheding Nature Park, Kenting National Park, southern Taiwan. (Photo copyright © by Kaj Halberg)
Signpost in Sheding Nature Park, shaped as a sika deer. The text says: “Keep walking! Approaching to exit!” (Photo copyright © by Kaj Halberg)
This kitschy ‘boat’, in which everything is made from wire, cloth, and paper, was exhibited in the town of Shetou, near Chiayi, western Taiwan. It was manned by various animals, including a deer, presumably a sika deer, a black-faced spoonbill (Platalea minor), holding a spoon (sic!), and a frog. (Photos copyright © by Kaj Halberg)
Art of the Bunun people, Dilih, central Taiwan. This painted stone depicts a hunter, aiming at a sika deer. (Photo copyright © by Kaj Halberg)
This old and weathered wooden sculpture depicts a sika deer, Taichung. (Photo copyright © by Kaj Halberg)
The role of deer in Native American cultures and mythologies
In Native American mythology, all deer species symbolize spiritual connection. The wapiti, or elk (Cervus canadensis), symbolizes strength and endurance, whereas the white-tailed deer (Odocoileus virginianus) and the mule deer (O. hemionus) symbolize guidance and gentleness.
Deer Woman
Deer Woman is a spirit, whose associations and qualities vary between tribes, but to men who have harmed women or children, she is generally vengeful, and will often to lure these men to their deaths. She appears as either a beautiful young woman with deer feet, or as a deer.
Among Lakota people, Sinte Sapela Win (‘Deer Woman’) is a manifestation of the spirit Anukite. Ite (‘Face’) was the daughter of the first man and first woman. She was a beautiful young woman, and Tate (‘The Wind’) fell in love with her. They married and had quadruplets, who were the Four Winds. Ite wished to become a god and acquired the aid of Inktomi, the trickster spider, who caused the Sun to fall in love with Ite. At a celebration, Ite sat in the place of the Moon, the Sun’s wife. To punish Ite’s disrespect, the Sky cast her down from Heaven to Earth. Half of her face became ugly, and her name became Anukite (‘Double Face Woman’).
Ghost of the White Deer
Blue Jay, a brave young Chickasaw warrior, fell in love with Bright Moon, the daughter of a chief. However, the chief didn’t like the young man, so he named a price for the bride that he was sure Blue Jay could not pay.
“Bring me the hide of a white deer,” he said, “the price for my daughter is one white deer.” He knew that albino deer were very rare and thus would be very hard to find.
Blue Jay went to Bright Moon and said, “In one moon’s time, I will return with your bride price, and we will be married. This I promise you.” Then he took his best bow and sharpest arrows and went away.
Three weeks later, Blue Jay was hungry, lonely, and much scratched by briars. Then, one night during a full moon, he saw a white deer, who seemed to drift through the moonlight. When the deer was close to where Blue Jay hid, he shot his sharpest arrow, which sank deep into the deer’s heart. But instead of sinking to its knees to die, the deer charged straight toward Blue Jay, with his red eyes glowing and his horns sharp and menacing.
A month passed, and Blue Jay did not return as he had promised Bright Moon. After months of waiting, the tribe decided that he would never return.
But Bright Moon never married, for she had a secret. When the moon was shining as brightly as her name, she would often see a white deer in the smoke of the campfire, running with an arrow in his heart. She believed that the deer would finally fall, and Blue Jay would return.
To this day, white deer are sacred to the Chickasaw people.
George Catlin (1796-1872) was an American artist and author, who travelled to the American West 5 times during the 1830s, producing numerous paintings that depicted the life of the Plains Indians.
Moose (Alces alces) at a waterhole. Painting by George Catlin (1830s). (Public domain)
Moose Hunt. Painting by George Catlin (1863). (Public domain)
Wapitis (Cervus canadensis). Painting by George Catlin. (Public domain)
In many parts of North America, the white-tailed deer (Odocoileus virginianus) has spread beyond control, and despite its status as a native species, it is often considered invasive. As far back as in the 1949, in his book A Sand County Almanac, environmentalist Aldo Leopold (1887-1948) wrote: “I now suspect that just as a deer herd lives in mortal fear of its wolves, so does a mountain live in mortal fear of its deer.”
In August 2012, The Bloomberg View published a staff editorial, entitled: “Deer Infestation Calls for Radical Free-Market Solution.”
About two months later, The Wall Street Journal ran a story, entitled: “America Gone Wild,” noting the impact of overabundant deer.
The Nature Conservancy then noted: “No native vertebrate species in the eastern United States has a more direct effect on habitat integrity than the white-tailed deer. (…) In many areas of the country, deer have changed the composition and structure of forests by preferentially feeding on select plant species.”
On the other hand, the Key deer, which lives only in the Florida Keys, is endangered. It is the smallest subspecies, clavium.
This painting from 1591 by French artist Jacques le Moyne de Morgues (c. 1533-1588), labelled Cevorum venatio, depict Indians hunting white-tailed deer (Odocoileus virginianus), hidden under stag’s pelts. (Public domain)
To ensure that the endangered Key deer eat proper food, signs like this one are placed at various locations in The Keys. (Photo copyright © by Kaj Halberg)
Miscellaneous
Reeves’s muntjac (Muntiacus reevesi) is very common in Taiwan, where it was formerly a popular food item of the indigenous Malayan tribes. This picture shows a Bunun man, his head ornament adorned with muntjac antlers in velvet. (Photo copyright © by Kaj Halberg)
Flower pot, shaped like a deer, Thung Nham Bird Park, Ninh Binh Province, Vietnam. The flowers are Waller’s balsam (Impatiens walleriana). (Photo copyright © by Kaj Halberg)
This Cotoneaster bush in a park at the Tran Nhan Tong Walking Street, Hai Ba Trung district, Hanoi, Vietnam, has been pruned to resemble a deer. (Photo copyright © by Kaj Halberg)
These gaudy clocks were for sale outside the Manakamana Kali Temple, central Nepal, one shaped as a deer, with antlers and all. (Photo copyright © by Kaj Halberg)
Eye-catcher at a restaurant in Tam Coc, Ninh Binh Province, Vietnam: a ‘reindeer’, made from pieces of wood and twigs. (Photo copyright © by Kaj Halberg)
Numerous countries have more or less identical traffic signs, depicting deer jumping across the road.
This sign is from Schladminger Tauern, Austria. (Photo copyright © by Kaj Halberg)
This one was seen in Sicily. (Photo copyright © by Kaj Halberg)
It seems that a frustrated hunter (a term which he doesn’t deserve) has ‘decorated’ this sign from Funen, Denmark. (Photo copyright © by Kaj Halberg)
This extremely worn sign was observed in the Son Tra Nature Reserve, near Da Nang, Vietnam. (Photo copyright © by Kaj Halberg)
This sign on the island of Öland, Sweden, warns against crossing moose (Alces alces). (Photo copyright © by Kaj Halberg)
(Uploaded December 2025)
(Latest update June 2026)